Since 2017
Sri Sharadambika
Classical Music & Dance Institute
Dedicated to preserving the Guru–Śiṣya Paramparā through accessible, committed, and high-quality classical arts education.
Sri Sishtu Madhusudan garu
Principal
About the Principal
With over three decades of dedicated teaching in Carnatic music and Kuchipudi dance, Sri Sishtu Madhusudan garu has shaped hundreds of artists across Telugu states.
Contact
Arts Offered
Our Courses
Classical Music (Vocal)
Structured training in Carnatic vocal tradition, theory, and repertoire under experienced gurus.
Sri Ramakrishna Rao
A disciple of Pandit Jasraj with 25 years of teaching and performance experience.
Devotional Vocal
Bhajans and devotional repertoire with focused vocal guidance for spiritual expression.
Smt. Venkatalakshmi
Specialises in Telugu devotional compositions and Annamacharya kirtanas.
Light Music
Semi-classical and light repertoire with emphasis on expression and stage comfort.
Sri Venkatesh Kumar
Playback and light-music artist with two decades of stage experience.
Violin, Veena & Mrudangam
Classical instruments — technique, rhythm, and ensemble skills taught one-on-one.
Sri Narasimhulu
Seasoned instrumentalist trained in the Mysore tradition.
Classical Dance (Kuchipudi)
Foundations in Kuchipudi: adavu, rhythm, abhinaya, and full-stage repertoire.
Smt. Padmavathi
Performed on national stages; a graduate of Kalakshetra with 15 years of teaching.
Voices
What People Say
“I have performed at many organisations over the years, but the sincerity with which Sri Sadguru Sannidhi conducts every programme stays with you. It is my heartfelt wish that this institution continues to flourish, and that every young artist who comes here finds the guidance and grace they deserve.”
Smt. Dvaram Lakshmi
Vocalist · Tirupati
“What I admire most is how they make room for vocalists, percussionists, dancers and other art forms that don't always get a stage elsewhere. They aren't just hosting events; they are actively keeping these traditions alive.”
Sri. Budhdhavarapu Maruti RaghuRam
Mridangam & Ghatam · Tirupati
“I have watched students at the institute closely — the way they sit, the way they listen, the patience they show in class. That kind of discipline is not accidental. It is nurtured carefully, day after day.”
Kum. N. Navya Pravallika
Vocalist · Boorugupudi
“For many, music is entertainment. Here, it is treated as something sacred — an offering. That shift in attitude, from performance to prayer, changes how you approach every note you sing.”
Smt. B. Satya Gowri
Vocalist · Mumbai
“You cannot learn mridangam from a screen alone. This institution understands that the bond between guru and sishya cannot be hurried. That is how the parampara has survived for centuries, and why it still matters.”
Sri. Kotipalli Chaitanya Ramesh
Mridangam · Tirupati
“As a Kuchipudi dancer from Visakhapatnam, finding a platform that treats dance with the same seriousness as music is not easy. Sri Sadguru Sannidhi gives artists like us real space — and does it with genuine love for the art.”
Smt. R. Kiranmayi
Kuchipudi Dancer · Visakhapatnam
“When you perform here, you feel the stage belongs to something larger than yourself. The guru's guidance, the quiet reverence in the room — it reminds you why we pursue classical arts in the first place.”
Smt. R. Lakshmi Prasanna
Kuchipudi Dancer · Visakhapatnam
“I have performed at many organisations over the years, but the sincerity with which Sri Sadguru Sannidhi conducts every programme stays with you. It is my heartfelt wish that this institution continues to flourish, and that every young artist who comes here finds the guidance and grace they deserve.”
Smt. Dvaram Lakshmi
Vocalist · Tirupati
“What I admire most is how they make room for vocalists, percussionists, dancers and other art forms that don't always get a stage elsewhere. They aren't just hosting events; they are actively keeping these traditions alive.”
Sri. Budhdhavarapu Maruti RaghuRam
Mridangam & Ghatam · Tirupati
“I have watched students at the institute closely — the way they sit, the way they listen, the patience they show in class. That kind of discipline is not accidental. It is nurtured carefully, day after day.”
Kum. N. Navya Pravallika
Vocalist · Boorugupudi
“For many, music is entertainment. Here, it is treated as something sacred — an offering. That shift in attitude, from performance to prayer, changes how you approach every note you sing.”
Smt. B. Satya Gowri
Vocalist · Mumbai
“You cannot learn mridangam from a screen alone. This institution understands that the bond between guru and sishya cannot be hurried. That is how the parampara has survived for centuries, and why it still matters.”
Sri. Kotipalli Chaitanya Ramesh
Mridangam · Tirupati
“As a Kuchipudi dancer from Visakhapatnam, finding a platform that treats dance with the same seriousness as music is not easy. Sri Sadguru Sannidhi gives artists like us real space — and does it with genuine love for the art.”
Smt. R. Kiranmayi
Kuchipudi Dancer · Visakhapatnam
“When you perform here, you feel the stage belongs to something larger than yourself. The guru's guidance, the quiet reverence in the room — it reminds you why we pursue classical arts in the first place.”
Smt. R. Lakshmi Prasanna
Kuchipudi Dancer · Visakhapatnam